Humberto Hernández Martínez (alias „El Negro“)

*1958, Pinar del Río, Cuba

Humberto Hernández Martínez is a Cuban painter whose work is deeply rooted in the landscapes, textures, and atmosphere of his native region of Pinar del Río. His artistic language has been
shaped by both formal academic training and a lifelong connection to Cuba’s natural environment and rural traditions.

Working primarily in oil on canvas, Hernández Martínez explores themes of nature, weather, memory, and place. His paintings capture the emotional and sensory qualities of the Cuban landscape, creating works that are both deeply personal and universally resonant.

Through exhibitions in Cuba and abroad, he has established himself as a significant figure in contemporary Cuban art.

Humberto Hernández Martínez, known as El Negro, transforms the landscapes, atmosphere and emotional memory of western Cuba into a powerful visual language defined by texture, movement and light. Rooted in his upbringing in the coastal town of Puerto Esperanza, his work reflects a lifelong connection to nature, the sea and the ever-changing forces that shape both the environment and human experience.

Working with a distinctive combination of brush and palette knife techniques, Hernández creates richly textured surfaces that blur the boundaries between landscape and emotion. His compositions are not merely representations of place; they are interpretations of memory, weather, solitude and resilience, translated into dynamic visual experiences.

Storms, horizons, clouds and coastal environments frequently appear throughout his work as symbols of transformation and endurance. Through expressive gestures and layered compositions, he captures the tension between calm and uncertainty, permanence and change, inviting viewers to engage with the emotional atmosphere embedded within each painting.

A defining aspect of his practice is his commitment to creative freedom. Rather than adhering to rigid formulas, Hernández approaches each canvas as a space for exploration, allowing intuition and experience to guide the evolution of the work. This openness results in paintings that feel both deeply personal and universally resonant.

Combining technical mastery with a profound sensitivity to place and memory, Humberto Hernández has developed a body of work that speaks to collectors seeking authenticity, emotional depth and a strong connection between landscape and human experience.

Education

1973–1975 – Provincial School of Arts, Pinar del Río, Cuba

1975–1980 – National School of Fine Arts, Havana, Cuba

1986–1991 – Higher Pedagogical Institute, Pinar del Río, Cuba

Major International Solo Exhibitions

2009 – Between Huts and Storm III, United Nations Headquarters, Geneva, Switzerland

2008 – Between Huts and Storm II, Havana Conference Center, Havana, Cuba

2008 – Between Huts and Storm I, Collage Gallery, Havana, Cuba

2003 – Footsteps in the Sea, Domingo Padrón Art Gallery, Miami, Florida, USA

Membership

Member of the National Union of Writers and Artists of Cuba (UNEAC).

Selected Collections & International Presence

His works are held in private and public collections in several countries, including Switzerland, the United States, and Cuba. His exhibition at the United Nations Headquarters in Geneva reflects the international recognition of his artistic practice and contribution to contemporary Cuban art.

Humberto Hernández Martínez